Elvis Presley - SUSPICIOUS MIND

First performance: 21/10/1994


Coverinfo

Bruce played the song 2 times :
 
With John Eddie, Greg Kihn, Marshall Crenshaw, and Elliott Murphy.
 
Following his performance at the Clearwater Festival, Bruce joins Nils Lofgren and his band on stage for a few tunes. Bruce later joins John Eddie onstage for one song to finish off a memorable day. The annual Clearwater Festival was held on Asbury Park's waterfront. The area used for the festival spanned the waterfront area from Main Street to Convention Hall. The Clearwater Festival (officially The Great Hudson River Revival) is a music and environmental summer festival and America's oldest and largest annual festival of its kind.
 
 
 

Songinfo

"Suspicious Minds" is a song written and first recorded by American songwriter Mark James. After James' recording failed commercially, the song was handed to Elvis Presley. James said that late one night, he was fooling around on his Fender guitar and using his Hammond organ pedals for a bass line and came up with what he thought was a catchy melody. James at the time was married to his first wife, but still had feelings for his childhood sweetheart, who was married back in Houston. James's wife had suspicions of his feelings. James felt it was a confusing time for him and that all three were caught in this trap that they could not walk out of. Mark James was co-writer of "Always on My Mind" "Suspicious Minds" was widely regarded as the single that returned Presley's career success, following his '68 Comeback Special. "Suspicious Minds" was a product of a January 23, 1969 session, James was in Memphis, but he was not at the recording session. James had walked into the recording studio control room a few days earlier during a session and sensed that Elvis was uncomfortable with his presence. James did not want to jinx the song so he stayed away. When James heard the track the day after it was recorded, he initially thought it sounded too slow. When he later heard the embellished version, he said he was blown away. In later years, whenever Elvis saw James he would cross the room to say hello.
 
 
 
 
 

Other cover versions

 

Bruce on the artist

Whenever he could, Bruce would mention the enormous influence, Elvis had on him and on his music. Elvis is the most covered artist by Bruce (23 times) together with Chuck Berry, Pete Seeger, Bob Dylan. The Influence of Elvis on Bruce, is described in a documentary compiled from previously existing footage by Dennis P. Laverty, a former Old Bridge resident who now lives in Staten Island (and who calls Springsteen and Elvis Presley "my two favorite rock stars". He used concert footage and previously released interview segments with Springsteen and various rock experts to show just how important Elvis Presley was to Springsteen.
 

Rollingstone

"It's a cliché story, but watching Elvis Presley on The Ed Sullivan Show changed Bruce Springsteen's entire life. "It was the evening I realized a white man could make magic," he said in 2012, "that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self." He urged his mother to buy him a guitar after that, and in 1976 he went to Graceland after a Memphis show and even hopped the fence in a failed effort to meet the King himself. Elvis died during the recording of Darkness on the Edge of Town, right as Springsteen was hoping the King would cover his new song "Fire." Springsteen channeled his sorrow into "Come On (Let's Go Tonight)," which later morphed into "Factory."
 

"In the beginning, every musician has their genesis moment. For you, it might have been the Sex Pistols, or Madonna, or Public Enemy. It's whatever initially inspires you to action. Mine was 1956, Elvis on the Ed Sullivan Show. It was the evening I realized a white man could make magic, that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self. A certain type of transformative self, that perhaps at any other moment in American History, might have seemed difficult, if not impossible. And I always tell my kids that they were lucky to be born in the age of reproducible technology, otherwise they'd be traveling in the back of a wagon and I'd be wearing a jester's hat. It's all about timing. The advent of television and its dissemination of visual information changed the world in the fifties the way the internet has over the past twenty years. Remember, it wasn't just the way Elvis looked, it was the way he moved that made people crazy, pissed off, driven to screaming ecstasy, and profane revulsion. That was television. When they made an attempt to censor him from the waist down, it was because of what you could see happening in his pants. Elvis was the first modern Twentieth Century man, the precursor of the Sexual Revolution, of the Civil Rights Revolution, drawn from the same Memphis as Martin Luther King, creating fundamental, outsider art that would be embraced by a mainstream popular culture. Television and Elvis gave us full access to a new language, a new form of communication, a new way of being, a new way of looking, a new way of thinking; about sex, about race, about identity, about life; a new way of being an American, a human being; and a new way of hearing music. Once Elvis came across the airwaves, once he was heard and seen in action, you could not put the genie back in the bottle. After that moment, there was yesterday, and there was today, and there was a red hot, rockabilly forging of a new tomorrow, before your very eyes."
 

Lyrics

We're caught in a trap
I can't walk out
Because I love you too much baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
We can't go on together
With suspicious minds
And we can't build our dreams
On suspicious minds

So, if an old friend I know
Drops by to say hello
Would I still see suspicion in your eyes?
Here we go again
Asking where I've been
You can't see these tears are real
I'm crying
We can't go on together
With suspicious minds
And be can't build our dreams
On suspicious minds

Oh let our love survive
Or dry the tears from your eyes
Let's don't let a good thing die
When honey, you know
I've never lied to you
Mmm yeah, yeah