Coverinfo

Songinfo

The train arrived sixteen coaches long
The train arrived sixteen coaches long
The girl I love is on that train and gone
Parker's lyrics include:
Train I ride sixteen coaches long
Train I ride sixteen coaches long

Other cover versions

• In 1973, with the approval of Sam Phillips, Robbie Robertson of the Band wrote additional lyrics for "Mystery Train", and the group recorded this version of the song for their Moondog Matinee album. They later performed the song with Paul Butterfield for their 1976 "farewell" concert The Last Waltz.

2003-08-01 - GILLETTE STADIUM, FOXBOROUGH, MA

 

Intro to "Mystery Train"

"I wanna send this out tonight....just lost one of the great, great, great fathers of rock and roll ....without whom which none of us would be here tonight, we´ll send this out to for the memory of the great, great Sam Phillips.." 

 

Junior Parker, recorded "Mystery Train" for producer/Sun Records owner Sam Phillips. He was the founder of Sun Records and Sun Studio, in Memphis, Tennessee, where he produced recordings by Elvis Presley, Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Howlin' Wolf. He launched Presley's career in 1954. 

 

Whenever he could, Bruce would mention the enormous influence, Elvis had on him and on his music. Elvis is the most covered artist by Bruce (23 times) together with Chuck Berry, Pete Seeger, Bob Dylan. The Influence of Elvis on Bruce, is described in a documentary compiled from previously existing footage by Dennis P. Laverty, a former Old Bridge resident who now lives in Staten Island (and who calls Springsteen and Elvis Presley "my two favorite rock stars". He used concert footage and previously released interview segments with Springsteen and various rock experts to show just how important Elvis Presley was to Springsteen.

 

 

 

"In the beginning, every musician has their genesis moment. For you, it might have been the Sex Pistols, or Madonna, or Public Enemy. It's whatever initially inspires you to action. Mine was 1956, Elvis on the Ed Sullivan Show. It was the evening I realized a white man could make magic, that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self. A certain type of transformative self, that perhaps at any other moment in American History, might have seemed difficult, if not impossible. And I always tell my kids that they were lucky to be born in the age of reproducible technology, otherwise they'd be traveling in the back of a wagon and I'd be wearing a jester's hat. It's all about timing. The advent of television and its dissemination of visual information changed the world in the fifties the way the internet has over the past twenty years. Remember, it wasn't just the way Elvis looked, it was the way he moved that made people crazy, pissed off, driven to screaming ecstasy, and profane revulsion. That was television. When they made an attempt to censor him from the waist down, it was because of what you could see happening in his pants. Elvis was the first modern Twentieth Century man, the precursor of the Sexual Revolution, of the Civil Rights Revolution, drawn from the same Memphis as Martin Luther King, creating fundamental, outsider art that would be embraced by a mainstream popular culture. Television and Elvis gave us full access to a new language, a new form of communication, a new way of being, a new way of looking, a new way of thinking; about sex, about race, about identity, about life; a new way of being an American, a human being; and a new way of hearing music. Once Elvis came across the airwaves, once he was heard and seen in action, you could not put the genie back in the bottle. After that moment, there was yesterday, and there was today, and there was a red hot, rockabilly forging of a new tomorrow, before your very eyes."